SMITHBITS RADIO

Monday, December 29, 2014

Ryan Aderréy’s debut album, ‘What If’ was a movie

Ryan Aderréy

December 29, 2014 in News by Indie Artist Radio
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Ryan AderréyIf Ryan Aderréy’s debut album, ‘What If’ was a movie, this promising singer-songwriter would be the self-assured lead character that possesses maturity, quiet confidence, leadership and, most of all, real talent. Ryan would be the first to tell you that while he has had some fantastic opportunities, he was also able to recognize them and grab the prospects by the horns. Ryan Aderréy in emerging on to the national music scene with amazing songwriting chops, two terrific producers to shepherd him and the enthusiasm to win over even the most jaded music lover.
Music was a big part of Ryan’s life from as early as he could remember. His parents, who met backpacking in Morocco, both had some involvement with music. Living in the UK before their only child was born, Ryan’s father was a songwriter with some respectable achievement and his mother often did backing vocals at live gigs. By the time Ryan was born, they moved stateside, and while Ryan can remember waking up on weekends to the melodies of The Beatles and Bob Dylan, his heart lay elsewhere. “I have to say that as a kid, I didn’t have a lot of interest in music; I loved to play soccer. That’s where most of my focus was – though I do remember buying the cassingle of “Two Princes” by Spin Doctors!”
While he clearly preferred – and excelled – at sports, Ryan spent many weekends with his friend Keshav Singh – who is now having success in the UK as part of the duo JusNow – making beats on Singh’s electronic keyboard. As much fun as they had, it wasn’t enough to turn Ryan’s head away from soccer, and after a year at Boston University, Ryan had the opportunity to play for OmniWorld, a professional football (soccer) team outside of Amsterdam. “I didn’t know it at the time, but playing soccer, traveling, being in front of fans who could be really tough, was all perfect training for what I wanted to do next, which I quickly realized was music.”
An early adopter on MySpace, Ryan quietly started composing music on his own, posting it online, even while living abroad, and getting positive responses. “I had complete confidence in writing by myself since playing soccer in front of so many people gave me the ability to feel secure. I bought a keyboard, making my own instrumentals, and then started to put vocals on top of them.” This caught the attention of a friend who had started an independent label in Pittsburgh, who then invited Ryan down to showcase some of his songs. After some well-received live performances, Ryan came back to Florida, where his family had re-located, at the request of Studio Center Miami. The people at the Studio felt Ryan’s compositions had some real potential and wanted to see what he could do once he put all his incredible focus on music. Ryan, who had learned through his athletic career, that the more you do something, the better you get at it, spent a full year working with vocal coach Anita Wilson and choreographer Athena Cameron before feeling like he was ready to take the next step toward composing an album’s worth of songs for The Stranger in Me.
Though Ryan is the driving force as both songwriter and composer, he decided to co-write with a few different songwriters, most significantly Steven D. After writing twenty or more songs, which Ryan has recently paired down to ten or twelve for the upcoming album, he was fortunate enough to catch the attention of Grammy winning Producer Zach Ziskin. He’s also begun to work with 4-time Grammy Award winning Engineer/Producer Jimmy Douglass (Justin Timberlake, Jay-Z, The Rolling Stones, Sean Paul, Kanye West and more) on future projects. “This is really a dream come true. I can’t wait to get to the Studio every day, and it’s such an incredible experience. The first time I worked with Jimmy he had me do vocal warm-ups for three hours! It has been a great opportunity for me to absorb more about making music than I could have ever anticipated.”
While words have always come easily to Ryan (he was a journalism Major in college and one several poetry awards in High School), he knows he is exercising a different muscle with songwriting. “Songwriting is a whole different beast. It takes life experience, in my opinion, to write a good song. I don’t think you can fake that. I will write a song 10 times over and often it still isn’t good enough yet. Songwriting is about pouring your soul out on the paper, and it’s hard to go to that place. It is something you have to work at. I have been working at it long enough that I feel like I am in a good place with being able to convey my feelings musically.”
He has much to be proud of on ‘What If’, due out in early 2014. While he can’t choose a favorite, there are several songs that have strong meaning to him such as “What Ifs & Broken Promises.” Says Ryan, “That song came together fast. I really love this track and think people will gravitate toward it.” Another memorable songwriting journey for him came from “Without Hope,” based on a friend of Ryan’s who grew up in an abusive household. The emotional chorus – “when you step to the edge of the light/to the darkness of the unknown/when you have no choice but to fight/you learn to fly where nobody’s ever flown” gives way to a song that’s ultimately about hope and being able to leave the past behind. Another strong track is the beautiful “A Miracle My Love,” a very personal song for Ryan: “This is a love song about some one who comes along and turns your life around. You may have thought you had nothing going for you, you meet this person, and it becomes a miracle to your life. My mind set has been totally turned around by the right person.”
Throughout his entire songwriting process, Ryan’s goal was always one thing – to create songs that people could relate to. “I really want people who listen to my album to relate to it, as if they’ve been through it themselves. I want them to know I’ve been there too – and get lost in my stories. To me, music is life set to instrumentation. There is no greater gift than to be able to take the culmination of your life’s stories and set them to music.”

Sunday, December 14, 2014

Big Freedia and New Orleans Bounce


On the second season of Big Freedia: Queen of Bounce, Freedia raises the stakes with bigger and bouncier dreams, releasing her first official album Just Be Free. Freedia aims to collaborate with the music industry’s heavy hitters and searches for a smash radio hit that will catapult her to the top of the charts. She also steps up her tour game, performing at SXSW, New Orleans Jazz Fest, and even producing her own Bounce-a-palooza tour that will showcase New Orleans' top acts. But can her current team of beefin’ managers and lackluster rump-shakers get her to the next level? - See more at: http://www.fuse.tv/shows/big-freedia#about

Wednesday, December 10, 2014

SAG Awards: The Complete List of Nominees

SAG Awards: The Complete List of Nominees
“Birdman” led the way for film, while “Modern Family” topped TV
The nominees for the 21st annual Screen Actors Guild Awards were announced Wednesday morning on TBS and TNT by Eva Longoria and Ansel Elgort.
For film, “Birdman” finished first with four nods, while “The Imitation Game” and “The Theory of Everything” landed three apiece. Those three, plus “The Grand Budapest Hotel” and “Boyhood” are finalists in the movie ensemble category.
As far as the small screen goes, “Modern Family” grabbed four nominations, as “Homeland,” “Game of Thrones,” “House of Cards” and “Boardwalk Empire” each had three.
Here is the complete list of nominations:
Theatrical Motion Pictures
Outstanding Performance by a Male Actor in a Leading RoleSTEVE CARELL / John du Pont – “FOXCATCHER” (Sony Pictures Classics)
BENEDICT CUMBERBATCH / Alan Turing – “THE IMITATION GAME” (The Weinstein Company)
JAKE GYLLENHAAL / Louis Bloom – “NIGHTCRAWLER” (Open Road Films)
MICHAEL KEATON / Riggan – “BIRDMAN” (Fox Searchlight Pictures)
EDDIE REDMAYNE / Stephen Hawking – “THE THEORY OF EVERYTHING” (Focus Features)
Outstanding Performance by a Female Actor in a Leading RoleJENNIFER ANISTON / Claire Bennett – “CAKE” (Cinelou Films)
FELICITY JONES / Jane Hawking – “THE THEORY OF EVERYTHING” (Focus Features)
JULIANNE MOORE / Alice Howland-Jones – “STILL ALICE” (Sony Pictures Classics)
ROSAMUND PIKE / Amy Dunne – “GONE GIRL” (20th Century Fox)
REESE WITHERSPOON / Cheryl Strayed – “WILD” (Fox Searchlight Pictures)
Outstanding Performance by a Male Actor in a Supporting RoleROBERT DUVALL / Joseph Palmer – “THE JUDGE” (Warner Bros. Pictures)
ETHAN HAWKE / Mason, Sr. – “BOYHOOD” (IFC Films)
EDWARD NORTON / Mike – “BIRDMAN” (Fox Searchlight Pictures)
MARK RUFFALO / Dave Schultz – “FOXCATCHER” (Sony Pictures Classics)
J.K. SIMMONS / Fletcher – “WHIPLASH” (Sony Pictures Classics)
Outstanding Performance by a Female Actor in a Supporting RolePATRICIA ARQUETTE / Olivia – “BOYHOOD” (IFC Films)
KEIRA KNIGHTLEY / Joan Clarke – “THE IMITATION GAME” (The Weinstein Company)
EMMA STONE / Sam – “BIRDMAN” (Fox Searchlight Pictures)
MERYL STREEP / The Witch – “INTO THE WOODS” (Walt Disney Studios Motion Pictures)
NAOMI WATTS / Daka – “ST. VINCENT” (The Weinstein Company)
Outstanding Performance by a Cast in a Motion Picture
BIRDMAN (Fox Searchlight Pictures)
ZACH GALIFIANAKIS / Jake
MICHAEL KEATON / Riggan
EDWARD NORTON / Mike
ANDREA RISEBOROUGH / Laura
AMY RYAN / Sylvia
EMMA STONE / Sam
NAOMI WATTS / Lesley
BOYHOOD (IFC Films)
PATRICIA ARQUETTE / Olivia
ELLAR COLTRANE / Mason
ETHAN HAWKE / Mason, Sr.
LORELEI LINKLATER / Samantha

THE GRAND BUDAPEST HOTEL (FOX SEARCHLIGHT PICTURES)
F. MURRAY ABRAHAM / Mr. Moustafa
MATHIEU AMALRIC / Serge X.
ADRIEN BRODY / Dmitri
WILLEM DAFOE / Jopling
RALPH FIENNES / M. Gustave
JEFF GOLDBLUM / Dep. Kovacs
HARVEY KEITEL / Ludwig
JUDE LAW / Young Writer
BILL MURRAY / M. Ivan
EDWARD NORTON / Henckels
TONY REVOLORI / Zero
SAOIRSE RONAN / Agatha
JASON SCHWARTZMAN / M. Jean
LÉA SEYDOUX / Clotilde
TILDA SWINTON / Madame D
TOM WILKINSON / Author
OWEN WILSON / M. Chuck
THE IMITATION GAME (The Weinstein Company)
MATTHEW BEARD / Peter Hilton
BENEDICT CUMBERBATCH / Alan Turing
CHARLES DANCE / Commander Denniston
MATTHEW GOODE / Hugh Alexander
RORY KINNEAR / Nock
KEIRA KNIGHTLEY / Joan Clarke
ALLEN LEECH / John Cairncross
MARK STRONG / Stewart Menzies
THE THEORY OF EVERYTHING (Focus Features)
CHARLIE COX / Jonathan Hellyer Jones
FELICITY JONES / Jane Hawking
SIMON McBURNEY / Frank Hawking
EDDIE REDMAYNE / Stephen Hawking
DAVID THEWLIS / Dennis Sciama
EMILY WATSON / Beryl Wilde
Television Programs
Outstanding Performance by a Male Actor in a Television Movie or MiniseriesADRIEN BRODY / Harry Houdini  - “HOUDINI” (History)
BENEDICT CUMBERBATCH / Sherlock Holmes – “SHERLOCK: HIS LAST VOW” (PBS)
RICHARD JENKINS / Henry Kitteridge – “OLIVE KITTERIDGE” (HBO)
MARK RUFFALO / Ned Weeks – “THE NORMAL HEART” (HBO)
BILLY BOB THORNTON / Lorne Malvo – “FARGO” (FX)
Outstanding Performance by a Female Actor in a Television Movie or MiniseriesELLEN BURSTYN / Olivia Foxworth – “FLOWERS IN THE ATTIC” (Lifetime)
MAGGIE GYLLENHAAL / Nessa Stein – “THE HONORABLE WOMAN” (Sundance TV)
FRANCES McDORMAND / Olive Kitteridge – “OLIVE KITTERIDGE” (HBO)
JULIA ROBERTS / Dr. Emma Brookner – “THE NORMAL HEART” (HBO)
CICELY TYSON / Carrie Watts – “THE TRIP TO BOUNTIFUL” (Lifetime)
Outstanding Performance by a Male Actor in a Drama SeriesSTEVE BUSCEMI / Enoch “Nucky” Thompson – “BOARDWALK EMPIRE” (HBO)
PETER DINKLAGE / Tyrion Lannister – “GAME OF THRONES” (HBO)
WOODY HARRELSON / Martin Hart – “TRUE DETECTIVE” (HBO)
MATTHEW McCONAUGHEY / Rust Cohle – “TRUE DETECTIVE” (HBO)
KEVIN SPACEY / Francis Underwood – “HOUSE OF CARDS” (Netflix)
Outstanding Performance by a Female Actor in a Drama Series (6 nominees)CLAIRE DANES / Carrie Mathison – “HOMELAND” (Showtime)
VIOLA DAVIS / Annalise Keating – “HOW TO GET AWAY WITH MURDER” (ABC)
JULIANNA MARGULIES / Alicia Florrick – “THE GOOD WIFE” (CBS)
TATIANA MASLANY / Sarah/Coxima/Alison/Rachel/ – “ORPHAN BLACK” (BBC America)
Helena/Tony/Jennifer and Various Others
MAGGIE SMITH / Violet, Dowager Countess of Grantham – “DOWNTON ABBEY” (PBS)
ROBIN WRIGHT / Claire Underwood – “HOUSE OF CARDS” (Netflix)
Outstanding Performance by a Male Actor in a Comedy SeriesTY BURRELL / Phil Dunphy – “MODERN FAMILY ” (ABC)
LOUIS C.K. / Louie – “LOUIE” (FX)
WILLIAM H. MACY / Frank Gallagher – “SHAMELESS” (Showtime)
JIM PARSONS / Sheldon Cooper – “THE BIG BANG THEORY” (CBS)
ERIC STONESTREET / Cameron Tucker – “MODERN FAMILY” (ABC)
Outstanding Performance by a Female Actor in a Comedy SeriesUZO ADUBA / Suzanne “Crazy Eyes” Warren – “ORANGE IS THE NEW BLACK” (Netflix)
JULIE BOWEN / Claire Dunphy – “MODERN FAMILY” (ABC)
EDIE FALCO / Jackie Peyton – “NURSE JACKIE” (Showtime)
JULIA LOUIS-DREYFUS / Vice President Selina Meyer – “VEEP” (HBO)
AMY POEHLER / Leslie Knope – “PARKS AND RECREATION” (NBC)
Outstanding Performance by an Ensemble in a Drama Series
BOARDWALK EMPIRE (HBO)STEVE BUSCEMI / Enoch “Nucky” Thompson
PAUL CALDERON / Arquimedes
NICHOLAS CALHOUN / Sean
LOUIS CANCELMI / Mike D'Angelo
JOHN ELLISON CONLEE / Commodore
MICHAEL COUNTRYMAN / Frank Wilson
STEPHEN GRAHAM / Al Capone
DOMENICK LOMBARDOZZI / Ralph Capone
NOLAN LYONS / Enoch Thompson (young)
KELLY MACDONALD / Margaret Thompson
BORIS McGIVER / Sheriff Smith Johnson
VINCENT PIAZZA / Charlie “Lucky” Luciano
PAUL SPARKS / Mickey Doyle
TRAVIS TOPE / Joe Hardy
SHEA WHIGHAM / Eli Thompson
ANATOL YUSEF / Meyer Lansky
MICHAEL ZEGEN / Benny Siegel
DOWNTON ABBEY (PBS)HUGH BONNEVILLE / Robert, Earl of Grantham
LAURA CARMICHAEL / Lady Edith Crawley
JIM CARTER / Mr. Carson
BRENDAN COYLE / Mr. Bates
MICHELLE DOCKERY / Lady Mary Crawley
KEVIN DOYLE /  Mr. Molesley
JOANNE FROGGATT / Anna Bates
LILY JAMES / Lady Rose
ROBERT JAMES-COLLIER / Thomas Barrow
ALLEN LEECH / Tom Branson
PHYLLIS LOGAN / Mrs. Hughes
ELIZABETH McGOVERN / Cora, Countess of Grantham
SOPHIE McSHERA / Daisy
MATT MILNE / Alfred
LESLEY NICOL / Mrs. Patmore
DAVID ROBB / Dr. Clarkson
MAGGIE SMITH / Violet, Dowager Countess of Grantham
ED SPELEERS / Jimmy Kent
CARA THEOBOLD / Ivy
PENELOPE WILTON / Isobel Crawley
GAME OF THRONES (HBO)JOSEF ALTIN / Pyp
JACOB ANDERSON / Grey Worm
JOHN BRADLEY / Samwell Tarly
DOMINIC CARTER / Janos Slynt
GWENDOLINE CHRISTIE / Brienne of Tarth
EMILIA CLARKE / Daenerys Targaryen
NIKOLAJ COSTER-WALDAU / Jaime Lannister
BEN CROMPTON / Dolorous Edd
CHARLES DANCE / Tywin Lannister
PETER DINKLAGE / Tyrion Lannister
NATALIE DORMER / Margaery Tyrell
NATHALIE EMMANUEL / Missandei
IAIN GLEN / Ser Jorah Mormont
JULIAN GLOVER / Pycelle
KIT HARINGTON / Jon Snow
LENA HEADEY / Cersei Lannister
CONLETH HILL / Varys
RORY McCANN / Sandor “The Hound” Clegane
IAN McELHINNEY / Ser Barristan Selmy
PEDRO PASCAL / Oberyn Martell
DANIEL PORTMAN / Podrick Payne
MARK STANLEY / Grenn
SOPHIE TURNER / Sansa Stark
MAISIE WILLIAMS / Arya Stark
HOMELAND (Showtime)NUMAN ACAR / Hassan Haqqani
NAZANIN BONIADI / Fara Sherazi
CLAIRE DANES / Carrie Mathison
RUPERT FRIEND / Peter Quinn
RAZA JAFFREY / Aasar Khan
NIMRAT KAUR / Tasneem Qureishi
TRACY LETTS / Sen. Andrew Lockhart
MARK MOSES / Dennis Boyd
MICHAEL O'KEEFE / John Redmond
MANDY PATINKIN / Saul Berenson
LAILA ROBINS / Martha Boyd
MAURY STERLING / Max
HOUSE OF CARDS (Netflix)MAHERSHALA ALI / Remy Danton
JAYNE ATKINSON / Catherine Durant
RACHEL BROSNAHAN / Rachel Posner
DEREK CECIL / Seth Grayson
NATHAN DARROW / Edward Meechum
MICHEL GILL / President Walker
JOANNA GOING / Tricia Walker
SAKINA JAFFREY / Linda Vasquez
MICHAEL KELLY / Doug Stamper
MOZHAN MARNÃ’ / Ayla Sayyad
GERALD McRANEY / Raymond Tusk
MOLLY PARKER / Jackie Sharp
JIMMI SIMPSON / Gavin Orsay
KEVIN SPACEY / Francis Underwood
ROBIN WRIGHT / Claire Underwood
Outstanding Performance by an Ensemble in a Comedy Series
THE BIG BANG THEORY (CBS)MAYIM BIALIK / Amy Farrah Fowler
KALEY CUOCO-SWEETING / Penny
JOHNNY GALECKI / Leonard Hofstadter
SIMON HELBERG / Howard Wolowitz
KUNAL NAYYAR / Rajesh Koothrappali
JIM PARSONS / Sheldon Cooper
MELISSA RAUCH / Bernadette Rostenkowski-Wolowitz 
BROOKLYN NINE-NINE (FOX)STEPHANIE BEATRIZ /  Det. Rosa Diaz
DIRK BLOCKER / Hitchcock
ANDRE BRAUGHER / Capt. Ray Holt
TERRY CREWS / Sgt. Terry Jeffords
MELISSA FUMERO / Det. Amy Santiago
JOE LO TRUGLIO / Det. Charles Boyle
JOEL McKINNON MILLER / Scully
CHELSEA PERETTI / Gina Linetti
ANDY SAMBERG / Det. Jake Peralta
MODERN FAMILY (ABC)AUBREY ANDERSON EMMONS / Lily Tucker-Pritchett
JULIE BOWEN / Claire Dunphy
TY BURRELL / Phil Dunphy
JESSE TYLER FERGUSON / Mitchell Pritchett
NOLAN GOULD / Luke Dunphy
SARAH HYLAND / Haley Dunphy
ED O'NEILL / Jay Pritchett
RICO RODRIGUEZ / Manny Delgado
ERIC STONESTREET / Cameron Tucker
SOFIA VERGARA / Gloria Delgado-Pritchett
ARIEL WINTER / Alex Dunphy
ORANGE IS THE NEW BLACK (NETFLIX)UZO ADUBA / Suzanne “Crazy Eyes” Warren
JASON BIGGS / Larry Bloom
DANIELLE BROOKS / Tasha “Taystee” Jefferson
LAVERNE COX / Sophia Burset
JACKIE CRUZ / Flaca
CATHERINE CURTIN / Wanda Bell
LEA DELARIA / Carrie “Big Boo” Black
BETH FOWLER / Sister Ingalls
YVETTE FREEMAN / Irma
GERMAR TERRELL GARDNER / Charles Ford
KIMIKO GLENN / Brook Soso
ANNIE GOLDEN / Norma Romano
DIANE GUERRERO / Maritza Ramos
MICHAEL J. HARNEY / Ofc. Sam Healy
VICKY JEUDY / Janae Watson
JULIE LAKE / Angie Rice
LAUREN LAPKUS / Susan Fischer
SELENIS LEYVA / Gloria Mendoza
NATASHA LYONNE / Nicky Nichols
TARYN MANNING / Tiffany “Pennsatucky” Doggett
JOEL MARSH GARLAND / Scott O'Neill
MATT McGORRY / Ofc. John Bennett
ADRIENNE C. MOORE / Black Cindy
KATE MULGREW /  Galina “Red” Reznikov
EMMA MYLES / Leanne Taylor
JESSICA PIMENTEL / Maria Ruiz
DASCHA POLANCO / Dayanara Diaz
ALYSIA REINER / Natalie “Fig” Figueroa
JUDITH ROBERTS / Taslitz
ELIZABETH RODRIGUEZ / Aleida Diaz
BARBARA ROSENBLAT / Miss Rosa
NICK SANDOW / Joe Caputo
ABIGAIL SAVAGE / Gina
TAYLOR SCHILLING / Piper Chapman
CONSTANCE SHULMAN / Yoga Jones
DALE SOULES / Frieda
YAEL STONE / Lorna Morello
LORRAINE TOUSSAINT / Yvonne “Vee” Parker
LIN TUCCI / Anita DeMarco
SAMIRA WILEY / Poussey Washington
VEEP (HBO)SUFE BRADSHAW / Sue Wilson
ANNA CHLUMSKY / Amy Brookheimer
GARY COLE / Kent Davidson
KEVIN DUNN / Ben Cafferty
TONY HALE / Gary Walsh
JULIA LOUIS-DREYFUS / Vice President Selina Meyer
REID SCOTT / Dan Egan
TIMOTHY SIMONS / Jonah Ryan
MATT WALSH / Mike McLintock
SAG Awards for Stunt Ensembles
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture“FURY” (Columbia Pictures)
“GET ON UP” (Universal Pictures)
“THE HOBBIT: THE BATTLE OF THE FIVE ARMIES” (Warner Bros. Pictures)
“UNBROKEN” (Universal Pictures)
“X-MEN: DAYS OF FUTURE PAST” (20th Century Fox)
Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series (6 nominees)“24: LIVE ANOTHER DAY” (FOX)
“BOARDWALK EMPIRE” (HBO)
“GAME OF THRONES” (HBO)
“HOMELAND” (Showtime)
“SONS OF ANARCHY” (FX)
“THE WALKING DEAD” (AMC)
Screen Actors Guild 51st Annual Life Achievement AwardDEBBIE REYNOLDS
The SAG Awards will air live on Sunday, Jan. 25 at 8 p.m. ET.

Tuesday, December 9, 2014

Les Moonves Says 'CSI: Cyber' Feels Extra Relevant in Wake of Sony Hack Attack

Les Moonves Says 'CSI: Cyber' Feels Relevant in Wake of Sony Hack Attack
Getty Images
CBS CEO looks forward to finally owning “Late Show,” suggests NFL could be added to on demand–streaming subscription service CBS All Access
Touting the network's success in drama franchises, CBS President and CEO Leslie Moonves predicted Tuesday “CSI: Cyber” will resonate with audiences and said the “CSI” spin-off will feel very current, particularly given the recent Sony hack.
“If we see what's happening in the world … with Sony, and Home Depot, and all these other companies, it's a pretty relevant subject matter,” Moonves said at the UBS Global Media and Communications Conference. “It happens to be a very good show. Can we get another ‘CSI’ hit? That would be nice. We got another ‘NCIS’ hit. Once again, remember, each one of those shows have turned into billion-dollar profit-makers. So, it's nice to know that. It's nice to look at the future that way.”
The new series will debut Wednesday, March 4 at 10 p.m. and stars Patricia Arquette as the head of the Cyber Crime Division of the FBI.
Moonves also spoke glowingly about the upcoming changes in CBS late-night, as Stephen Colbert takes over for David Letterman on “Late Show,” and James Corden pulls up to Craig Ferguson‘s “The Late Late Show” desk. Not only is Colbert a much-needed viral hit, the departure of Letterman and his Worldwide Pants production company means that CBS will own the new versions of both evening talkers, something Moonves called “fairy significant.”
In the appearance, Moonves reflected on the accomplishments of most-watched broadcast network and its affiliates, including the launch of two new products that he considers to be “major” additions to its portfolio: digital subscription video-on-demand and live-streaming service CBS All Access and digital streaming news network CBSN.
“Considering they're in their elementary stages, they're both working remarkably well and the growth is obviously there,” Moonves said and noted that the service's current $5.99/month price tag could change if NFL football became part of the package.
The CBS chief said All Access is ahead of internal subscriber projections and joked that he'll reveal those exact numbers when Netflix makes public how many people watch “House of Cards.”
After praising Netflix's programming, Moonves said: “I don't look at it as a disrupter — 20 million people are still watching ‘NCIS’ on a Tuesday night.”
Moonves is looking forward to a potential Showtime over-the-top option next year, but didn't disclose when or any other details.
In his discussion of broadcast programming, Moonves noted the increased value of dramas over comedies in the current state of television. Despite the fact that sitcom “The Big Bang Theory” is one of CBS's biggest hits, Moonves pointed toward his fall schedule as evidence. The exec boasted that all four of his new dramas are working, but admitted new comedy “The McCarthys” is doing “so-so.”
In terms of ratings, Moonves predicted that by May's upfront, C7 numbers will be “the new currency”; that said, he specified that 77 percent of his audience watches shows in their original time slot.
On Nielsen being a slow to adapt to a changing marketplace, Moonves joked: “We're winning the game, so we're not going to challenge the referee.”

Friday, November 14, 2014

Bill Cosby raped me. Why did it take 30 years for people to believe my story?


The Washington Post© The Washington Post
In 2004, when Andrea Constand filed a lawsuit against Bill Cosby for sexual assault, her lawyers asked me to testify. Cosby had drugged and raped me, too, I told them. The lawyers said I could testify anonymously as a Jane Doe, but I ardently rejected that idea. My name isnot Jane Doe. My name is Barbara Bowman, and I wanted to tell my story in court. In the end, I didn’t have the opportunity to do that, because Cosby settled the suit for an undisclosed amount of money.
Over the years, I’ve struggled to get people to take my story seriously. So last month, when reporter Lycia Naff contacted me for an interview for the Daily Mail, I gave her a detailed account. I told her how Cosby won my trust as a 17-year-old aspiring actress in 1985, brainwashed me into viewing him as a father figure, and then assaulted me multiple times. In one case, I blacked out after having dinner and one glass of wine at his New York City brownstone, where he had offered to mentor me and discuss the entertainment industry. When I came to, I was in my panties and a man’s t-shirt, and Cosby was looming over me. I’m certain that he drugged and raped me. The final incident was in Atlantic City, where we had traveled for industry event. I was staying in a separate bedroom of Cosby’s hotel suite, but he pinned me down in his own bed while I screamed for help. I’ll never forget the clinking of his belt buckle as he struggled to pull his pants off. I furiously tried to wrestle from his grasp until he eventually gave up, angrily called me “a baby” and sent me home to Denver.
Back then, the incident was so horrifying that I had trouble admitting it to myself, let alone to others. But I first told my agent, who did nothing. (Cosby sometimes came to her office to interview people for “The Cosby Show” and other acting jobs.) A girlfriend took me to a lawyer, but he accused me of making the story up. Their dismissive responses crushed any hope I had of getting help; I was convinced no one would listen to me. That feeling of futility is what ultimately kept me from going to the police. I told friends what had happened, and although they sympathized with me, they were just as helpless to do anything about it. I was a teenager from Denver acting in McDonald’s commercials. He was Bill Cosby: consummate American dad Cliff Huxtable and the Jell-O spokesman. Eventually, I had to move on with my life and my career.
I didn’t stay entirely quiet, though: I’ve been telling my story publicly for nearly 10 years. When Constand brought her lawsuit, I found renewed confidence. I was determined to not be silent any more. In 2006, I was interviewed by Robert Huber for Philadelphia Magazine, and Alycia Lane for KYW-TV news in Philadelphia. A reporter wrote about my experience in the December 2006 issue of People Magazine. And last February, Katie Baker interviewed me for Newsweek. Bloggers and columnists wrote about that story for several months after it was published. Still, my complaint didn’t seem to take hold.
Only after a man, Hannibal Buress, called Bill Cosby a rapist in a comedy act last month did the public outcry begin in earnest. The original video of Buress’s performance went viral. This week, Twitter turned against him, too, with a meme that emblazoned rape scenarios across pictures of his face.   
While I am grateful for the new attention to Cosby’s crimes, I must ask my own questions: Why wasn’t I believed? Why didn’t I get the same reaction of shock and revulsion when I originally reported it? Why was I, a victim of sexual assault, further wronged by victim blaming when I came forward? The women victimized by Bill Cosby have been talking about his crimes for more than a decade. Why didn’t our stories go viral?
Unfortunately, our experience isn’t unique. The entertainment world is rife with famous men who use their power to victimize and then silence young women who look up to them. Even when their victims speak out, the industry and the public turn blind eyes; these men’s celebrity, careers, and public adulation continue to thrive. Even now, Cosby has a new comedy special coming out on Netflix and NBC is set to give him a new sitcom.
Fixing this problem demands more than public shaming. For Cosby to commit these assaults against multiple victims over several years, there had to be a network of willfully blind wallflowers at best, or people willing to aid him in committing these sexual crimes at worst. As I told the Daily Mail, when I was a teenager, his assistants transported me to hotels and events to meet him. When I blacked out at Cosby’s home, there were several staffers with us. My agent, who introduced me to Cosby, had me take a pregnancy test when I returned from my last trip with him. Talent agents, hotel staff, personal assistants and others who knowingly made arrangements for Cosby’s criminal acts or overlooked them should be held equally accountable.
I have never received any money from Bill Cosby and have not asked for it. I have nothing to gain by continuing to speak out. He can no longer be charged for his crimes against me because the statute of limitations is long past. That is also wrong. There should be no time limits on reporting these crimes, and one of my goals is to call for legislation to that end. Famous and wealthy perpetrators use their power to shame and silence their victims. It often takes years for young women to overcome those feeling and gain the confidence to come forward (by which point physical evidence is long gone). Our legal system shouldn’t silence them a second time.
Last week, I became a volunteer ambassador for PAVE (Promoting Awareness, Victim Empowerment), a national victim advocacy group that seeks to shatter the silence around sexual violence through targeted social, educational and legislative tactics. I will be writing and traveling the country talking to media, students and other interested groups about the importance of speaking out against sexual assault. I’ll largely focus on young models and actors who are especially vulnerable to the influences of the rich and powerful. They, like other sexual assault victims, deserve our support. It’s the perpetrators who should be facing public humiliation — not the victims.
Editor’s note: A representative for Bill Cosby did not return multiple calls and e-mails from Washington Post staff for comment on this piece. Elsewhere, Cosby repeatedly denied separate sexual-assault allegations by Andrea Constand.